
Sandra Marie Matuschka has been involved
with the tarot since the late 1970s, first as a student of the late
Rusty Carnarius, a dedicated tarot teacher, and later — up
to and including the present — as a collector and continuing
learner. She is a writer, editor, and photographer currently living
and working in Rhode Island.
“As prophet and avatar
of the High God, Merlin was a link between the divine and the human,
and ultimately a Guide on the road to the Otherworld.” -Nikolai
Tolstoy
...such images as found in
the tarot lift us out of our mundane world and allow us to begin
traveling in other realms. Here we begin to perceive things that
we can connect back to our ordinary lives in order to enhance them
or to understand our difficulties better.
Nichols says that the number
9 has “mysterious qualities,” noting that it always
returns to itself. |
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Tarot: Merlin as The Hermit in Major Arcana
Illustrations from the Rider-Waite Tarot Deck(r),
known also as the Rider Tarot and the Waite Tarot, reproduced by
permission of U.S. Games Systems, Inc., Stamford, CT 06902 USA.
Copyright (c)1971 by U.S. Games Systems, Inc. Further reproduction
prohibited. The Rider-Waite Tarot Deck(r) is a registered trademark
of U.S. Games Systems, Inc.
By Sandra Marie
I have had The Rider Tarot Deck major arcana images of the The
Fool, The Magician, and The Hermit on my mantel for quite a while.
To me they show the growth of an enthusiastic youthful Fool into
the solid metaphysical/spiritual Magician, who ultimately grows
into the mature and wise end of life that is The Hermit. One could
only hope for such a path.
The Hermit usually is depicted as a robed and hooded older person
with a lantern (translate: illuminating the path of others by his/her
own earned light). The Hermit’s tarot card is number 9, the
number of being one with life, according to Steven Scott Pither,
author of The Complete Book of Numbers: The Power of Number Symbols
to Shape Reality. Some of the many attributes that belong to this
number, according to Pither, include the giving of unconditional
love, humanitarianism, universality, humility, compassion, selflessness,
idealism, spiritual growth, pure knowingness, living spiritually,
divine love, and transcendence. Surely, these are goals to which
we might aspire in our journey.
The major arcana tarot card following the Hermit is number 10.
Even more interesting, card number 10 is The Wheel of Fortune, the
card of the wheel of life upon which we spiral upward in our cyclic
journey. When you separate 10 into 1 + 0, or the Magician and the
Fool, the cycle begins again, once more ending with the Hermit.
Pither’s number attributions for 0, the number of The Fool
in the Rider deck, equates to “Nothingness,” “Nonexistence,”
“Formlessness,” and “The unmanifest.” It
is also the “Realm of Spirit” and “The potential
of infinite possibility.” Altogether, it is a grand traditional
description of The Fool.
Pither associates the number 1, that of the Magician, with the
“will to be,” and “starting anew, creativity,
leadership (with others or oneself),” among other very magician-like
qualities. These qualities also work well with the 10 of the Wheel
of Fortune (1+0 = 1), the card that turns us again to the beginning
of the path.
I have always loved the figure of Merlin. The archetypal image
of the legendary magician has always represented magic, mystery
and the power of knowingness in action. I have several figures of
him around my residence.

Then, one day, suddenly, I saw Merlin as the culmination
of the growth process of my three favorite cards in the tarot —
as the end point — The Hermit. I began to think about their
similarities. Merlin often is robed similarly to the Hermit. Although
he has his own varied stories to tell throughout the many fables
about him, his end point is the same: knowledge that is arcane,
magical, and spiritually useful in an earthly mundane world —
knowledge that shines in the remote places of his final resting
place.
Nikolai Tolstoy has written in his book “The Quest for Merlin,”
that “As prophet and avatar of the High God, Merlin was a
link between the divine and the human, and ultimately a Guide on
the road to the Otherworld.” This is the Hermit as well, suspended
as he is between heaven and earth on his mountain peak.
The Hermit most often is pictured on a rocky summit overlooking
a chasm, not unlike the fool, but whereas the fool in youthful exuberance
looks upward idealistically, ignorant of or ignoring the drop before
him, the Hermit wisely surveys the terrain ahead, illuminating it
before acting. The magician, in contrast to both, looks calmly straight
ahead, aware of his choices and pulling divine inspiration for life’s
journey. The magician is the fully realized man or woman and the
Roman numeral I above could be seen easily as the word “I,”
the ego-realized individual.
Then I began to research this concept, and found that like so many
“discoveries” we make in life, we are not the first
to have found them. It was wonderfully affirming to find that others
had made the Hermit/Merlin connection in one way or another.
In The Arthurian Tarot: A Hallowquest Handbook, authors Caitlin
and John Matthews see the higher realms of the spirit as tied to
the myths of the land in which they are found — in this case,
Britain. “…the characters of the Arthurian cycle are
really archetypes of the highest order, having a reality far and
above that of ordinary literary creations.” And as it turned
out, their representation of the Magician is in fact, Merlin. They
note that, “Merlin was born of an earthly mother and an Otherworldly
father, thus establishing him as a prime mover and mediator between
the two realities of this world and the Otherworld.” This
echoes Tolstoy’s comments.
How perfect is Merlin therefore, to represent the culminated wisdom
of the earthly carefree fool, we humans who set out to seek our
fortunes and lead our lives, as well as the magical (read “spiritual”)
side of The Magician, hopefully arriving at the state of wisdom
and readiness exemplified by the Hermit.
The Matthews’ sees the “mythic function” of such
entities as performing “archetypal actions” for humanity,
which makes them “suitable for esoteric work” because
their archetypal forces are “codified and aligned with natural
and inner world paths.” What this means to the ordinary seeker
is that such images as found in the tarot lift us out of our mundane
world and allow us to begin traveling in other realms. Here we begin
to perceive things that we can connect back to our ordinary lives
in order to enhance them or to understand our difficulties better.
Moyra Caldecott says in her book Crystal Legends that, “The
very ambiguity of myth is its strength. Myth is a kind of mirror
— we see what we are capable of seeing, what we want to see
and what we need to see (italics mine). We see ourselves,
but in greater depth than we would in an ordinary mirror.”
You may ask how these connections are helpful to us living in the
real world — as interesting as they may be theoretically.
I’d like to invoke some words from the author R.J. Stewart
to help draw together the threads that bring us to the Hermit as
Merlin (or vice versa),
Stewart has spent a fair amount of time researching the historical
and mythological roots of Merlin, and is the author of several books
dealing with the entire Merlin mythology, including The Merlin Tarot:
Images, insight and wisdom from the age of Merlin. In his book,
Merlin: The Prophetic Vision and The Mystic Life,” he notes
that Merlin is “what is often referred to as an ‘archetype’;
he typifies wisdom from a source that is not personal or human,
yet applied to humanity both individually and at large. This was
his role in the guidance and original creation of Arthur, and this
is his role in the stimulation of our imaginations and the creation
of our hopes to survive or even prevent our own Atlantean style
of holocaust.”
Interestingly, although he sees Merlin as associated with the aged
Hermit, and as the youthful Fool and developing soul of the Magician,
he inserts yet two more layers as part of the Merlin/Hermit growth
process — The Guardian (The Devil) and The Hanged Man (a three-fold
death) — that we will deal with in a future column.
In his Merlin Tarot, Stewart makes a distinction between “the
Old Man” image (or what he calls a “superficial stereotype
of the Wise Elder”) and the Merlin of archetype, who is so
much more. Stewart notes that in an ancient Merlin text titled the
Vita Merlini,” the magician withdraws eventually into spiritual
contemplation, refusing to lead or advise any more. So does the
Hermit, says Stewart. “Eventually, the way of the Hermit is
to dissolve personality utterly, and then withdraw consciousness
itself into the unknown.”
In Sallie Nichols’ book, Jung and Tarot: An Archetypal Journey,
the Hermit is also likened to Merlin. Although she uses the Marseilles
Tarot for her discussion, the basic imagery is the same. She says
it is “obvious that his lamp penetrates spiritual rather than
temporal darkness, for the sky above him is light and cloudless.
His insight pierces through our arbitrary divisions of space and
time to reveal the meaningful pattern of the ever present now. He
sees so deeply into the present that he clarifies all time, past
and future and their interrelationships. That this wise man, like
Merlin, possesses the seer’s magic power to master the riddle
of time is further evidenced by the fact that in some of the older
decks he holds an hourglass and is called Time.”
And interestingly, it’s once again numbers that lead us to
a conclusion of how the Hermit/Merlin works (in the Rider deck)
to bring us to the realization of our “selfs.”
Nichols says that the number 9 has “mysterious qualities,”
noting that it always returns to itself. If you add each number,
up to and including 9 (1+2+3 etc.), you get 45, the sum of which
is 9 (4+5). Also 9+9 = 18, which in turn is 9 (1+8), and “9
multiplied by each digit from 1 through 9 produces a result that
reduces to 9.”
Her conclusion is one that resonates well with the entire concept
of a Hermit/Merlin. “It is easy to understand why nine is
the number of initiation, because it symbolizes the initiate’s
own journey into self-realization. In whatever circumstances the
initiate begins his journey, and whatever experiences he may encounter
along the way, he also must, in the end, return to himself.”
And that, I think, is a major lesson of The Hermit/Merlin.
Further Reading
The Arthurian Tarot: A Halloquest Handbook, by
Caitlin and John Matthews; published by Thorsons, London and Calif.,
1995 (earlier published by The Aquarian Press, 1990); ISBN 0-85030-755-4.
Jung and Tarot: An Archetypal Journey, by Sallie
Nichols; published by Samuel Weiser, NY, 1980; ISBN 0-87728-480-6
(hardcover) and 0-87728-515-2 (paperback).
Merlin: The Prophetic Vision and The Mystic Life
(two vols in one book), by R.J. Stewart; published by Arkana Penguin
Books, 1986; ISBN 0-14-019372-3.
The Complete Book of Numbers: The Power of Number
Symbols to Shape Reality, by Steven Scott Pither; published by Llewellyn
Publications, Minn., 2002; ISBN 0-7387-0218-8.
The Merlin Tarot: Images, insight and wisdom from
the age of Merlin, by R.J. Stewart; published by The Aquarian Press,
England, 1988; ISBN 0-85030-630-2.
Crystal Legends, by Moyra Caldecott; published
by The Aquarian Press, England, 1990; ISBN0-85030-872-0.
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